10-तत्सम और तद्भव शब्दों की संपूर्ण जानकारी

Duration: 45 min

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Module outline

  1. About Course: UPPSC Course Overview
  2. Interview Preparation & Guidance: Interview Preparation
  3. Paper 1 | General Hindi: हिन्दी की रूप रचना, वर्णमाला, समास, Multi-Topic Content (Cross-Concept Material), हिन्दी की ध्वनि और स्वनिम व्यवस्था, प्राचीन और मध्यकालीन भारतीय आर्यभाषाएँ, काव्य के लक्षण, हेतु और प्रयोजन, हिन्दी शब्द रचना, हिन्दी साहित्येतिहास दर्शन, भक्तिकालीन काव्यधाराएँ, भारतीय काव्यशास्त्र की परंपरा, भारतीय नवजागरण और स्वाधीनता आंदोलन, अन्य गद्य विधाएँ एवं प्रवासी साहित्य, निर्धारित उपन्यासों का तुलनात्मक अध्ययन, गोदान, हिन्दी कहानी का विकास, स्वातंत्र्योत्तर और नयी कहानी, हिन्दी निबंध का विकास, शुक्लोत्तर निबंध, द्विवेदी और शुक्ल युग के निबंध, हिन्दी की संवैधानिक स्थिति, आधुनिक भारतीय आर्यभाषाएँ और हिन्दी का उद्भव, हिन्दी भाषा प्रयोग के विविध रूप, रीतिकाल, जीवनी, द्विवेदी युग और छायावाद, रीति, वक्रोक्ति और औचित्य सिद्धान्त, शब्दशक्ति और ध्वनि सिद्धान्त, रस सिद्धान्त और साधारणीकरण, उत्तर आधुनिकतावाद, लोहिया दर्शन, हिन्दी उपन्यास का विकास, हिन्दी नवजागरण, अंबेडकर दर्शन, आदिकाल, प्रयोगवाद और नयी कविता, छायावादी काव्य: प्रसाद और निराला, प्रगतिवाद से समकालीन कविता, निर्गुण भक्ति काव्य, द्विवेदीयुगीन काव्य, रीतिकालीन काव्य, आरंभिक हिन्दी उपन्यास, स्वातंत्र्योत्तर उपन्यास, आत्मकथा, स्वाधीनता-पूर्व प्रेमचंदोत्तर उपन्यास, निर्धारित कहानियों का तुलनात्मक अध्ययन, साठोत्तरी नाटक, प्रसाद और प्रसादोत्तर युग के नाटक, भारतेन्दु युगीन नाटक, स्वातंत्र्योत्तर नाटक, भारतेन्दु युगीन निबंध, संस्मरण और रेखाचित्र, व्यंग्य, एक साहित्यिक की डायरी, संस्कृति के चार अध्याय, सगुण भक्ति काव्य, हिन्दी नाटक, एकांकी और रंगमंच, आधुनिक गद्य और हिन्दी नवजागरण, अलंकार सिद्धान्त, हिन्दी आलोचना का विकास, भक्ति आंदोलन, कल्पना, बिम्ब, प्रतीक, मिथक और फंतासी, नयी कविता का विस्तार और साठोत्तरी कविता, उत्तर-छायावादी और प्रगतिवादी काव्य, काव्यगुण और काव्यदोष, प्लेटो, अरस्तू और पाश्चात्य परंपरा, मार्क्सवाद, स्वच्छन्दतावादी काव्यशास्त्र, आधुनिक पाश्चात्य आलोचना, भाषा और भाषा परिवार, देवनागरी लिपि
  4. Paper 2 | General Studies: State Wise GK, Polity, Geography, History, GK- Current Affairs
  5. Paper 1 | Programming Language: Language Design, C Fundamentals, Control Flow, Functions, Arrays & Pointers, Storage Classes, Structures & Enums, DMA, Macros, Scoping & File Handling, OOPS with C++
  6. Paper 1 | Database Management Systems: Basics of DBMS, ER Diagram, Relational Model & Functional Dependencies, Keys & Integrity Constraints, Normalization (1NF - BCNF), Decomposition Properties & 4NF, File Organization & Indexing, Relational Algebra, SQL, Relational Calculus, Transaction Management, Concurrency Control, ORDBMS, NoSQL
  7. Paper 1 | Cyber Security: कंप्यूटर की मूल बातें और हार्डवेयर / Computer Fundamentals and Hardware, प्रत्यक्ष बोध / Literal Comprehension, कंप्यूटर सॉफ्टवेयर / Computer Software, निष्कर्षात्मक बोध / Inferential Comprehension, आलोचनात्मक बोध / Critical Comprehension, इंटरनेट और वर्ल्ड वाइड वेब / Internet and World Wide Web, ई-मेल और ऑनलाइन संचार / Email and Online Communication, साइबर सुरक्षा / Cyber Security, अपशिष्ट प्रबंधन / Waste Management, डिजिटल नैतिकता, बौद्धिक संपदा और समाज / Digital Ethics, IPR and Society, डिजिटल एवं नव माध्यम / Digital and New Media, शोध नैतिकता / Research Ethics, उभरती प्रौद्योगिकियाँ / Emerging Technologies, शिक्षा और शासन में ICT / ICT in Education and Governance, Society, Law & Ethics, Cyber Threats and Malware Attacks, Role of Internet and Web Services, Security in Mobile and Wireless Computing, Electronic Data Interchange and E-Commerce, Physical Security and Cryptography Basics, Intrusion Detection Systems (IDS), Cyber Safety and Security, Ethical Hacking, भौगोलिक संकेतों का संरक्षण / Protection of Geographical Indications
  8. Paper 1 | Computer Organization and Architecture: Basics of COA, Programming the Basic Computer, Cache Memory Organization, Input Output Organisation, Instr Formats & Modes, Register Transfer and Microoperations, Control Unit Design
  9. Paper 1 | Computer Networks: Introduction to CN, Data Communication, DLL: Access Control, DLL: Flow Control, DLL: Error Control, DLL: Framing, Data Link Layer - Ethernet, Net Layer: IPv4 & Proto, Net Layer: IP Addressing, Net Layer:Routing Protocol, Transport Layer Services, TL: Congestion & UDP, Application Layer, Hardware basics, Network Security
  10. Paper 1 | Design and Analysis of Algorithms: Algorithm Analysis, Time Complexity Analysis, Sorting Algorithms, Greedy Algorithms, Dynamic Programming, Minimum Spanning Trees, Shortest Path Algos, Advanced Algorithms
  11. Paper 1 | Data Structures: Introduction to DS, Array, Linked List, Stack, Queue, Tree, Graphs, Hashing
  12. Paper 1 | Discrete Structures and Theory of Logic: क्रमचय, संचय एवं प्रायिकता / Permutation, Combination and Probability, Set Theory, Relations, Functions, Propositional and Predicate Logic, Graph Theory, Group Theory
  13. Paper 1 | Software Project Management: Software Project Management
  14. Paper 2 | Operating Systems: Introduction to OS, Process Management, CPU Scheduling, Process Synchronization, Threads & Process Creation, Deadlock, Memory Management, Virtual Memory, Disc Scheduling, File Management, Unix OS, Linux OS, Security
  15. Paper 2 | Compiler Design: Intro to Compilers, Lexical Analysis, Grammar & CFG, Syntax Analysis: Top-Down, Syntax Analysis: Bottom-Up, Semantic Analysis & SDT, Intermediate Code Gen, Code Optimization, Run Time Environment, Introduction to TOC, Deterministic FA (DFA), Non-Deterministic FA, Regular Expressions, Pushdown Automata & CFG, Complexity Theory
  16. Paper 2 | Artificial Intelligence & High Performance Computing: Approaches to AI, Search Algorithms, Game Playing, Knowledge Representation, Planning, Multi Agent Systems, Natural Language Processing, क्लाउड और वितरित कंप्यूटिंग / Cloud and Distributed Computing
  17. Paper 2 | Image Processing: Digital Image Fundamentals, Image Enhancement, Image Restoration, Color Image Processing, Image Compression
  18. Paper 2 | Software Engineering: Fundamentals of Software Engineering, Software Requirements and Quality Assurance, Software Design, Estimation and Metrics, Software Testing, Software Maintenance and Configuration Management
  19. Paper 2 | Computer Graphics: Basics of Computer Graphics, 2-D Geometrical Transforms and Viewing, 3-D Object Representation, Geometric Transformations and Viewing
  20. Paper 2 | Web Technologies: Website, Browser & Services, Internet Fundamentals, Web Design & Development, Protocols & Services, Web Publishing & Hosting, Server Side & Security, Emerging Technologies, HTML Basics, JavaScript-Basics, Java
  21. Paper 2 | Soft Computing: Fuzzy Sets, Artificial Neural Networks, Genetic Algorithms
  22. Paper 2 | Distributed System: Distributed Systems
  23. UPPSC Live Class Recordings: UPPSC Polytechnic Lecturer 2025 (CS)
  24. Previous Year Papers:
  25. Mock Test:
AI summary & chapters

AI Summary

An AI-generated summary of this video lecture.

This video is a comprehensive online lecture on Hindi grammar, specifically focusing on the formation and classification of compound words (Samas). The instructor begins by defining 'Tatsam' and 'Tadbhav' words, explaining that Tatsam words are directly borrowed from Sanskrit without phonetic change, while Tadbhav words are derived from Sanskrit but have undergone phonetic changes in Hindi. He then introduces the concept of 'Samas' (compound words), defining it as a combination of two or more words to form a new word. The core of the lecture is a detailed breakdown of the six primary types of Samas: Tatpurusha, Bahuvrihi, Dvandva, Karmadharyaya, Avyayibhava, and Tatsama. For each type, he provides a clear formula (e.g., Tatpurusha = Tad + Purusha), a definition, and numerous examples from Hindi, often using a table format to illustrate the structure. The instructor uses a digital whiteboard to write and highlight key terms, such as 'Tatsam', 'Tadbhav', and the names of the six Samas types, and he systematically works through a list of example words to demonstrate their classification. The lesson progresses from basic definitions to more complex examples, including a section on 'Padyavachak' (poetic) words, and concludes with a discussion on the 'Shabd' (word) and its components, reinforcing the foundational concepts of Hindi morphology.

Chapters

  1. 0:00 – 2:00 00:00-02:00

    The lecture begins with the instructor introducing the topic of Hindi grammar, specifically focusing on the classification of words. He displays a document titled 'तत्सम तद्भव' (Tatsam Tadbhav) on a digital screen. He defines 'तत्सम शब्द' (Tatsam word) as a word that is directly borrowed from Sanskrit and has not undergone any phonetic change, and 'तद्भव शब्द' (Tadbhav word) as a word that is derived from Sanskrit but has undergone phonetic changes in Hindi. He explains that Tatsam words are considered more 'pure' and are often used in formal or literary contexts, while Tadbhav words are more common in everyday speech. The instructor uses a digital pen to write and highlight key terms on the screen, such as 'तत्सम शब्द' and 'तद्भव शब्द', to emphasize the definitions.

  2. 2:00 – 5:00 02:00-05:00

    The instructor transitions to the main topic of the lecture: 'समास' (Samas), or compound words. He defines Samas as a combination of two or more words to form a new word. He then introduces the first type of Samas, 'तत्पुरुष समास' (Tatpurusha Samas), explaining its formula as 'तद् + पुरुष' (Tad + Purusha). He provides examples like 'तत्सम शब्द' (Tatsam word) and 'तद्भव शब्द' (Tadbhav word) to illustrate the concept. He then moves on to the second type, 'तद्धित समास' (Taddhita Samas), explaining that it is formed by adding a suffix to a base word. He uses the example 'तत्सम शब्द' to show how the suffix '-शब्द' is added to 'तत्सम' to form a new word. The instructor uses a digital pen to write and highlight the formulas and examples on the screen.

  3. 5:00 – 10:00 05:00-10:00

    The instructor continues to explain the different types of Samas. He introduces 'बहुव्रीहि समास' (Bahuvrihi Samas), explaining that it is a type of compound word where the meaning of the compound is not a direct combination of the meanings of its parts. He provides examples like 'महान राजा' (Mahān Rājā - Great King) and 'सुंदर लड़की' (Sundar Laṛkī - Beautiful Girl). He then moves on to 'द्वन्द्व समास' (Dvandva Samas), explaining that it is a compound word formed by joining two or more words of equal importance. He provides examples like 'राम और लक्ष्मण' (Rām aur Lakṣmaṇ - Rama and Lakshmana) and 'पिता और माता' (Pitā aur Mātā - Father and Mother). The instructor uses a digital pen to write and highlight the formulas and examples on the screen.

  4. 10:00 – 15:00 10:00-15:00

    The instructor introduces the next type of Samas, 'कर्मधारय समास' (Karmadharyaya Samas), explaining that it is a compound word where the first part is a noun and the second part is an adjective. He provides examples like 'सुंदर लड़की' (Sundar Laṛkī - Beautiful Girl) and 'महान राजा' (Mahān Rājā - Great King). He then moves on to 'अव्ययीभाव समास' (Avyayibhava Samas), explaining that it is a compound word where the first part is an adverb or a preposition and the second part is a noun. He provides examples like 'सुबह का खाना' (Subah kā khānā - Breakfast) and 'रात का खाना' (Rāt kā khānā - Dinner). The instructor uses a digital pen to write and highlight the formulas and examples on the screen.

  5. 15:00 – 20:00 15:00-20:00

    The instructor introduces the final two types of Samas. He explains 'तत्सम समास' (Tatsam Samas), which is a compound word formed by combining two Tatsam words. He provides examples like 'तत्सम शब्द' (Tatsam word) and 'तद्भव शब्द' (Tadbhav word). He then moves on to 'तद्भव समास' (Tadbhav Samas), which is a compound word formed by combining two Tadbhav words. He provides examples like 'महान राजा' (Mahān Rājā - Great King) and 'सुंदर लड़की' (Sundar Laṛkī - Beautiful Girl). The instructor uses a digital pen to write and highlight the formulas and examples on the screen. He also discusses the concept of 'पद्यावचक' (Padyavachak) words, which are words that are used in poetry.

  6. 20:00 – 25:00 20:00-25:00

    The instructor begins a new section on 'पद्यावचक शब्द' (Padyavachak Shabd), which are words used in poetry. He explains that these words are often used to create a specific rhythm or meter in a poem. He provides examples of Padyavachak words, such as 'अनु' (Anu), 'अनुल' (Anul), 'पावक' (Pavak), 'वायुस्थ' (Vayusth), 'वेदान' (Vedan), 'धूमकेतु' (Dhoomketu), 'कुशल' (Kushal), 'देह' (Deh), 'हुताशन' (Hutashan), 'असुर' (Asur), 'राक्षस' (Rakshas), 'दैत्य' (Daitya), 'दानव' (Danav), 'निशिचर' (Nishichar), 'निशाचर' (Nishachar), 'यातुधान' (Yatudhan), 'रक्षिणी' (Rakshini), 'अमृत' (Amrit), 'सुधा' (Sudha), 'पीतांबर' (Pitambar), 'जीवनोदक' (Jeevanodak), 'अमिया' (Amiya), 'अच्छ' (Achch), 'वाजिर' (Vajir), 'हय' (Hay), 'पोतक' (Pottak), 'पोहड़ा' (Pohada), 'तुगर' (Tugar), 'तुरंग' (Turanag), 'सेमवा' (Semwa). The instructor uses a digital pen to write and highlight the examples on the screen.

  7. 25:00 – 30:00 25:00-30:00

    The instructor continues to discuss Padyavachak words, providing more examples such as 'अक्ष' (Aksh), 'दूग' (Dug), 'लोचन' (Lochan), 'नेत्र' (Netr), 'चश्मा' (Chashma), 'नयन' (Nayan), 'अश्व' (Ashv), 'विलोचन' (Vilochan), 'दृष्टि' (Drishti), 'अम्बका' (Ambaka), 'आकाश' (Aakash), 'गण' (Gan), 'अमर' (Amar), 'चम्प' (Champ), 'नम' (Nam), 'अतिरिक्त' (Atirikt), 'योग्य' (Yogy), 'छी' (Chhi), 'अनंत' (Anant), 'अमुक्तका' (Amuktaka), 'आकाश' (Aakash), 'गण' (Gan), 'अमर' (Amar), 'चम्प' (Champ), 'नम' (Nam), 'अतिरिक्त' (Atirikt), 'योग्य' (Yogy), 'छी' (Chhi), 'अनंत' (Anant), 'अमुक्तका' (Amuktaka). He explains that these words are often used in poetry to create a specific rhythm or meter. The instructor uses a digital pen to write and highlight the examples on the screen.

  8. 30:00 – 35:00 30:00-35:00

    The instructor continues to discuss Padyavachak words, providing more examples such as 'आकाश' (Aakash), 'गण' (Gan), 'अमर' (Amar), 'चम्प' (Champ), 'नम' (Nam), 'अतिरिक्त' (Atirikt), 'योग्य' (Yogy), 'छी' (Chhi), 'अनंत' (Anant), 'अमुक्तका' (Amuktaka), 'आकाश' (Aakash), 'गण' (Gan), 'अमर' (Amar), 'चम्प' (Champ), 'नम' (Nam), 'अतिरिक्त' (Atirikt), 'योग्य' (Yogy), 'छी' (Chhi), 'अनंत' (Anant), 'अमुक्तका' (Amuktaka). He explains that these words are often used in poetry to create a specific rhythm or meter. The instructor uses a digital pen to write and highlight the examples on the screen. He also discusses the concept of 'शब्द' (Shabd) and its components, such as 'प्रत्यय' (Pratyay) and 'मूल' (Mool).

  9. 35:00 – 40:00 35:00-40:00

    The instructor continues to discuss the concept of 'शब्द' (Shabd) and its components. He explains that a word is composed of a root ('मूल') and a suffix ('प्रत्यय'). He provides examples of words and their components, such as 'राम' (Rām) which is composed of the root 'राम' and the suffix 'अ' (a). He also discusses the concept of 'प्रत्यय' (Pratyay) and its different types, such as 'कर्मधारय' (Karmadharyaya) and 'अव्ययीभाव' (Avyayibhava). The instructor uses a digital pen to write and highlight the examples on the screen.

  10. 40:00 – 44:42 40:00-44:42

    The instructor concludes the lecture by summarizing the key points. He reiterates the definitions of Tatsam and Tadbhav words, the six types of Samas, and the concept of Padyavachak words. He emphasizes the importance of understanding these concepts for mastering Hindi grammar. He also discusses the concept of 'शब्द' (Shabd) and its components, such as 'मूल' (Mool) and 'प्रत्यय' (Pratyay). The instructor uses a digital pen to write and highlight the key points on the screen. He encourages students to practice identifying and classifying compound words in their daily reading and writing.

This video provides a structured and comprehensive lesson on the formation and classification of compound words in Hindi. The instructor begins with foundational concepts, clearly defining Tatsam and Tadbhav words to establish a framework for understanding word origins. The core of the lecture is a systematic breakdown of the six primary types of Samas (compound words), each introduced with a formula, definition, and a series of practical examples. The use of a digital whiteboard allows for clear visual reinforcement of these concepts, with the instructor actively writing and highlighting key terms. The lesson progresses logically from basic definitions to more complex examples, including a section on poetic words (Padyavachak), and concludes by synthesizing the key ideas. The overall teaching style is methodical and pedagogical, designed to equip students with the tools to analyze and understand the morphology of Hindi words.

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